camberwellfoxes:

Gena Rowlands & Joan Blondell in Opening Night (1977)

Directed by John Cassavetes

The writer and the actress discuss the part…

Camberwell Foxes Radio & Blog

(Source : m0rtalis, via fuckinggoodimages)

(Source : collectori, via 4h10)

(Source : samudavi)

nevernevernevergiveup:

bialetti.

thecosmicfootprint:

ydrill:

The infinite patience of dogs.

(via deebott)


Bob Wallace ~ fore and aft, 1937 

Bob Wallace ~ fore and aft, 1937 

(Source : inneroptics, via commedesmotards)

(Source : skinnybrunette)

fuckyouverymuch:

We are in doubt.

fuckyouverymuch:

We are in doubt.

vancouver aquarium, may 2013. photos andy clark

(via microwave-burrito)

larchedenowaypictures:

Vintage Biker Sicily

     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.  
     -   Simon Schama’s Power of Art. Bernini

(Source : cressus, via tolkienism)

stoneponi:

Ephemera

stoneponi:

Ephemera

stoneponi:

Terrace anthems: The Smiths on Salford’s real Coronation Street, 1985.

stoneponi:

Terrace anthems: The Smiths on Salford’s real Coronation Street, 1985.